Four Directions

One of the first classes I took at the *Wild Wonder Nature Journaling Conference 2020 was PageBREAKER taught  by Kate Rutter. It was more of an IceBREAKER for me and was one of my favorite workshops. With amusing visual charts she describes the reactions journalers might have while drawing in the field: anticipation, curiosity, doubt, vacillation, pressure, acceptance. For me, that takes place in the first 30 seconds! Seeing that others experienced similar feelings set me at ease and the exercises that followed relaxed me immediately.

The first exercise was to draw six different sketches of a single object in 2”x2” squares – a minute per square. I found that I needed the 6 squares (not, say  4) to push me to really find a different view. This is just plain fun and a great warmup for any drawing. These are six views of a piece of firewood.

One Minute Drawings

The second exercise had two larger squares and we were to draw a negative and a positive of an image in the squares. Again, one minute each. It’s always valuable for me to change the way I see the object – from “inside” and “outside”.

Positive Negative views

Exercise three was an exercise in contour drawing – only looking at the object while the pen followed the object on paper for a minute. This was repeated 2 more times using different views of the object. Some of my favorite drawings are contour drawing (with just a bit of peeking at the paper). I drew a branch with berries.

Three Lines

Exercise four was really interesting. A rectangle’s diagonals were drawn and a small circle colored in at the center to represent my position in the landscape. I placed my little folding chair in the yard and faced the four directions. Then I drew each view in the four triangles in the rectangle. What an amazing experience and I completely, utterly lost track of time.

Four Directions

I use the first three exercises to warm up before drawing. They help me get to know the object and put me in a relaxed state of mind.

Kate recommends saying “Hello” to your subject before you begin to draw. I just love that.

 

Flitch Book

I have made books and taught Book Arts for several years. Over time my books became more organic as I sought out materials from local forests, beaches, and fine woodworkers. I started using wood for covers, heavy linen threads for medieval sewn bindings, and sticks, stones, and shells for embellishments.

Flitch Book

I also began to feel a need to fill the journals rather than just make them. I took art classes in watercolor, drawing, and printmaking. But there was still the question of “What do I want to say”. On a whim I signed up for five days of workshops with the Wild Wonder Nature Journaling Conference 2020 and discovered a whole new world of nature journal enthusiasts. After the first day I knew I was hooked. This kind of journaling combines so many things I love:  drawing, writing, science, book arts, and research. The workshop was an instant hit with this mathematician. These classes felt different to me – the emphasis is more on making sense of place, raising questions about our environment and recording impressions with data, drawing, and writing. My internal critic was nowhere to be found and I completely lost track of time. Good things.

I will chronicle my experiences in future posts and plan to teach a Nature Journaling class for OLLI in February. Details later. I hope you can join me.

Journal entries