I have been mentored by some amazing artists and am always updating my studio.

With long travel days and a need to work on a book I’ve decided to create a lap workstation for the car. I purchased the least colorful lap desk—hard to imagine that the others were brighter—and put together a little kit of threads, needles, prepunched sections and boards that I can store by my feet. The drink holder on the table is perfect for storing needles and scissors. Of course, I cannot be without my iPod. To the right, on the dash, I can store my piping hot coffee.

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So, how’s it working? I’ve lost one needle between the seats and can sew without stabbing Rollie in the eye while he is driving. I also decided to go with 6-needle sewing against my better judgement—one needle would have been easier to keep track of but the need for longer thread has it’s disadvantages. I am sewing a wedding album for a dear friend. I will keep you posted.

The making of this book has been a labor of love and one of constant problem solving; I didn’t think things through before starting the book. There is something to be said for that approach— I learned a lot and the book is more interesting because of it.

We have a little cabin in Nebraska and for several years we used an old “farm” table for dining. My husband found in an old barn; most of the red paint was gone and the wood was dry from years of extreme temperatures in that part of the world. I loved thinking about the meals that might have been served on this table when it was a bright color of “barn” red: fried chicken, peas in milk, puffy dinner rolls, lemonade, coleslaw, Jello something, raisin cream pie. When my husband built a new table I couldn’t bear to just toss the old one into the burn pile. We were able to salvage a couple of rectangles cut from the table top and I decided to use these as covers for a Farm Table Book. Straps were in order so I made book cloth from fabric purchased from a quilting fabric shop in nearby Fullerton—see the movie Nebraska and you will know. The orange hemp thread added the rustic look I wanted; it was not fun to work with and needed attention on every step of the sewing. Sections were covered with strips of handmade Nepalese paper. I covered the boards with layers of milk paint and waxed them to give this table new life. A rusty metal “thing” was embedded in the front cover—something from my explorations around our property. At the last minute I added a print from a deconstructed screen printing workshop and photos by daughter, Laurie Evans, taken on a visit to the ranch years ago.

It has been very satisfying to create this book from mostly local materials. I also enjoyed working without a finished product in mind—just letting the materials tell me what to do next. The wood told me to cut slots in it for the straps and that was really a challenge—hand drills and chisels. Next time I may not listen.

This book and seven others of mine are part of OLLI Arts Alive exhibit in Eureka, California on Saturday night, March 1. Come and see the work of over 30 local artists trying to raise funds for OLLI. If we raise $20,000 we will be eligible for $1,000,000 in endowments. We could use your support!

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I better put my thistle up too. We were not allowed to use a pencil to “set things up” and I really missed it. It’s hard to just start drawing with a pen and end up with something where you want it. We were also supposed to do this with a continuous line…..no lifting the pencil off the paper. I’ve been buying these beautiful purple/green thistles with one orange rose because of the contrast in color and edges. What fun to draw. I hope it feels prickly.

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This was hard. I had to pick a shoe to draw and there are just so many I love. I finally settled on a Reiker because it would provide a challenge. Easy to wear, difficult to draw. As usual, I get so caught up in the watercolor that I forgot to leave some white so that this patent leather shoe looked “shiny”. Instructor, Jane LaFazio, said that they looked good even if they were like suede. That’s cute. I love this class, the friendly online instruction and support from other students. More than anything (hard to admit) I need the deadline! I love having an excuse to draw and paint. Shoes were purchased in San Francisco years ago when celebrating a weekend with daughters and sisters-in-law.

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Yes. I’m behind but starting to catch up. One more assignment before Friday! It’s been really interesting to observe myself avoiding drawing or painting. This last week it was the two-day book arts class I taught, which I admit took much longer to prepare for than I expected. This particular avoidance tactic is a vast improvement over ironing or cleaning out the refrigerator. Assignment #2 was to work with greens and draw a leaf. I was lucky, I would find something green outside whereas others in the class (national and international) couldn’t find anything outside that wasn’t white and frozen solid. We are blessed here behind the Redwood Curtain. So. Here is my geranium leaf plucked right off our front deck.

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Assignment #3 was to start my drawing with a pen. No pencil to help me feel more secure before using something permanent—before I committed myself to something completely unrecognizable. I tried a thistle first but that felt too…prickly. I ended up with a stuffed animal who really didn’t mind if no one could recognize him. He is Hobart, given to me by daughter, Robyn, so that I could try taking care of a pretend dog before we got our real dog. Hobart was unwrapped at our Christmas in Hobart, Tasmania. His painted nose is a bit heavy and seems to drag his face down but you can tell in his eyes, that he understands that I had to commit to the nose once it was drawn. He is understanding like that.

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20140130-160310.jpgI have been wanting to take an online watercolor class with Jane DeFazio but always missed the deadline. I’m certain this is no coincidence—I have a case of “fear of drawing” (it’s the blank page) and an irrational fear of drawing in public. What could be safer than an online course, right? The delivery of instruction (pdf files, videos, posting) is stupendous and I learned a lot from watching her videos. Still, it took me 3 hours to do the first watercolor because I kept finding things to do: laundry, another cup of tea, walking the dog, cleaning out my pen drawer, and vacuuming the entry closet. Stuff like that. When I finally finished, I was surprised that the painting wasn’t so bad and I actually enjoyed the process. I needed to give it a second go so I got out my props (lime, tangelo, pear) and supplies and headed to a PUBLIC PLACE!! No one laughed. Actually no one looked and I happily slipped into that right brain mode with my fruit and coffee latte so it wouldn’t have made any difference if they were snorterling over the lady in the corner with her table of fruit because I wouldn’t have noticed them! How liberating that was. And here I am posting it on my blog because if I can do this, anyone can. This class is Sketching and Watercolor: Journal Style. I would recommend any class of hers. OK. I’m a week behind so it’s on to drawing leaves next. Stay tuned.

It was an eco dye playday yesterday with friend, Sandy. Inspired by India Flint’s Eco Colour. We used dried and fresh vegetation—huge surprise that the dried leaves left so much color. We used Stonehenge printmaking paper and Watercolor paper with leaves packed in between sheets. The sandwiches were bound together then boiled for 1.5 hours in a solution of alum and fireplace ash solution. The blue shade comes from a blueberry! We’re ready to try other solutions for boiling!

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In his retirement my husband has taken to making fine furniture. I’ve been the gleeful recipient of a wall cabinet and standing cabinet especially made to hold my books and the books of other artists. So, I couldn’t ask for more, but I usually do. This has resulted in some custom bookbinding equipment: book presses, drawers for sheets of paper, jigs for woodworking, and most recently my sewing frame. I’ve never set up a sewing frame and after making substitutes for brass keys and fiddling around with cords, I managed to complete a book of my own as I followed my scattered notes from a 5 day workshop with Tim Ely taken last summer. I love the frame and was able to avoid pulling the cords into the interior of the book this time. I am also a convert to his technique for making book cloth—but I get ahead of myself—more on that in a later post. Hopefully next time it won’t take longer to set up the frame than to sew the book.

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We spend much of the Fall in our cabin near Fullerton, Nebraska. The cabin is located between the two libraries of St. Paul (45 minute drive) and Fullerton (25 minute drive). I like to describe our cabin’s location relative to the location of books and internet. Last Fall, the librarian of the little library in Fullerton asked if I would bring some of my books to display in the kiosk and it’s turned out to be a great experience all around. The library patrons have enjoyed seeing book structures that stretch the definition of “the book” and they have an opportunity to make a simple accordion structure this Tuesday evening. My books were also featured on the front page of the Nancy County Journal. It was a treat to cut it out and send it to my mom—hope she puts it on the fridge. I’m sure I’ll be doing this again next Fall and hope it inspires some new book artists.

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I have a book that is part of the International Printmaking Conference in Dundee, Scotland. My book Equations is near the bottom of the table on the right edge. This is a book I made for an international exchange. One never knows where our books may show up! This is exciting and thanks to my friend Ellen for bringing it to my attention. I used a gelatin plate and printing inks to print plants from Humboldt County, California. These images were then enhanced using Photoshop. The wooden covers are made from recycled Bubinga and the pages were inserted into a Blizzard structure.

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I will be using this structure as a model for an OLLI class on this fun book.
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